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@  Guest : (13 November 2014 - 05:48 PM) hippysh1t just beat qwertos score of 3,341.71 in Nanaca Crash 1.08 with a new score of 3,894.48 on 05:48 PM
@  Guest : (13 November 2014 - 05:48 PM) hippysh1t just beat qwertos score of 3,341.71 in Nanaca Crash 1.08 and now is the latest inductee into the Hall of Fame with score of 3,894.48 on 05:48 PM
@  Guest : (13 November 2014 - 03:11 PM) qwertos just beat Snoman score of 2,749.43 in Nanaca Crash 1.08 with a new score of 3,341.71 on 03:11 PM
@  Guest : (13 November 2014 - 03:11 PM) qwertos just beat Snoman score of 2,749.43 in Nanaca Crash 1.08 and now is the latest inductee into the Hall of Fame with score of 3,341.71 on 03:11 PM
@  sp!ll : (11 November 2014 - 04:49 PM) well you can, you just gotta remember the days are made up of hrs and those hrs are made of minutes, if you can't spend hrs, spend a couple mins a day testing out ideas/techniques, you'll be surprised how a couple mins a day helps you retain info and keep creative :)
@  badass : (11 November 2014 - 01:37 PM) cool! haha i WISH i had time to put all this into practice mate :(
@  sp!ll : (10 November 2014 - 11:57 AM) then sculpt with EQ, or use a LFO/Compressor to edit the rhythm further to suit.
@  sp!ll : (10 November 2014 - 11:55 AM) I tend to build the bass in a way that it doesn't bother the kick that much, might add more pluck, or an envelope shape that helps em to blend,
@  badass : (10 November 2014 - 11:36 AM) hey rick i'm on a trance forum where if you wanted to get the attention of a user in a thread then they would be tagged and receive a notification....is there any way to do this
 :)
@  badass : (10 November 2014 - 11:32 AM) my biggest problem is the bass/kick relationship i need serious work on that lol
@  sp!ll : (10 November 2014 - 10:58 AM) especially basses, I'm in love with bass motifs, built a couple and its amazing how lfo movement can add that extra push.
@  sp!ll : (10 November 2014 - 10:53 AM) nice, I find once you got the timing and duration right its smooth sailing the rest of the way, you can further develop it with processors and effects
@  badass : (10 November 2014 - 10:46 AM) yeah i've been experimenting with just coming up with good motifs then employ some pitch change :D
@  sp!ll : (10 November 2014 - 10:39 AM) yup, been spending most of these days working on motifs, getting note duration and velocity settings right.
@  badass : (10 November 2014 - 10:06 AM) motifs are key!
@  sp!ll : (09 November 2014 - 01:50 PM) after a couple of those, the simplest rhythm sounds exotic :lol:
@  Musicmacd : (09 November 2014 - 01:01 PM) Coconut Rum Cocktails
@  sp!ll : (08 November 2014 - 08:31 PM) Technique for the week Motifs :)
@  hud : (06 November 2014 - 03:49 PM) Shout Out to your Mom!
@  Bailey : (04 November 2014 - 07:07 PM) Shout out to Presonus who's latest update has completely f*cked my system... 2 days gone and still not fixed. Love you guys. \0/

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Reverb On Return Track

If Wet and Dry are different

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#1 Asm

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Posted 18 January 2013 - 04:42 PM

Hey guys :)

I just got a quick question about using Reverb on Send/Return track. Ive been doing it myself for a while now and what I know about it is that the wet knob need to be at 100%. Anyway, what got me thinking today is that, If a Reverb have 2 different Knobs for Wet and Dry (like mine does).
Does it matter what setting the Dry is at aswell?

Ive always had the Dry turned off but noticed that it does change the sound abit if I also turn that to 0 (or 100%)

What is the rule about this if the Dry and wet knobs are 2 different compraed to being the same?

Assuming what goes if the knob would be the same would mean that if the knob is turned to 100% Wet, that should mean that Dry is turned off?

No its not me, the man on the picture is Armin Van Buuren :P


#2 teezdalien

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Posted 18 January 2013 - 07:18 PM

Yeah you're right, keep your send effects 100% wet. As they're running parallel with the dry channel there's no need to have the dry signal coming through the return tracks as well. The dry is only useful when the effect is being used as an insert.




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